03 wicked fix, p.1

03 - Wicked Fix, page 1

 

03 - Wicked Fix
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03 - Wicked Fix


  Z:ebooksSSarah Graves - 03 - Wicked Fix.pdb

  PDB Name: Sarah Graves - 03 - Wicked Fix

  Creator ID: REAd

  PDB Type: TEXt

  Version: 0

  Unique ID Seed: 0

  Creation Date: 5/17/2008

  Modification Date: 5/17/2008

  Last Backup Date: 1/1/1970

  Modification Number: 0

  Wicked Fix

  by

  Sarah Graves

  WICKED FIX

  SARAH GRAVES

  BANTAM BOOKS

  New York Toronto London

  Sydney Auckland

  A Bantam Crime Line Book / April 2000

  Copyright a 2000 by Sarah Graves.

  ISBN 0-553-57859-6

  Published simultaneously in the United States and Canada bb

  WICKED FIX

  "I don't see why Reuben Tate had to come

  back to town at all," Ellie White complained,

  digging into her lobster tortilla.

  We were at La Sardina, Eastport's Mexican

  restaurant. The menu was south-of-the-border

  with a downeast Maine twist--thus the lobster--but

  the atmosphere was all laid-back Key West:

  Strings of tiny, twinkling colored lights framed the

  tall front windows. White gauze beach umbrellas

  slanted over the old wooden tables. And potted plants

  grown to enormous sizes lent a tropical flavor: palm,

  spathiphyllum, a flowering bougainvillea like a tree full

  of purple butterflies.

  With her tortilla, Ellie was having a tomato and

  mesclun salad with blue cheese dressing, and a Dos

  Equis. "And I don't see," she added, "why he had to

  come now."

  Beside me, my son, Sam, went on attacking his

  combination plate. "You could strip varnish with this

  hot sauce," he remarked appreciatively; at seventeen,

  Sam thought flaming coals weren't quite hot enough

  unless you doused them in Tabasco.

  "Reuben's like a bad rash," Ellie's husband,

  George Valentine, said. "He comes back."

  He cut a slice off his well-done ribeye steak; to

  George, the French fry is about as foreign as food

  needs to get, with the possible exception of the English

  muffin.

  "The trick," he added, "is getting rid of him again.

  But this time I hear he means to stay."

  At which my friends all sighed sorrowfully. Reuben

  Tate was the sly, grinning worm in the apple of

  their happiness that autumn, and it seemed unfair just

  when everything else in town was looking up:

  Summer had come and gone but we still had the

  taste of it in our mouths, tart and sweet as a drop of

  lemonade. Dahlias with bright shaggy heads big as dinner

  plates bloomed in the perennial beds; ripe tomatoes

  loaded the vines in our back gardens, and the rosebushes

  massed along the seawall bowed low under

  their heavy burden of rose hips, huge and juicy as Bing

  cherries.

  Also, for once the town had cash. Sea urchins and

  sardines had been freakishly plentiful that season, the

  boats coming back half-capsized by the unaccustomed

  weight of their catches, and scallop harvest promised

  to be as bountiful. Until then, foreign freighters--their

  names, unpronounceable, stenciled in white, rust

  mottled Cyrillic letters on their towering sterns--

  loomed at dockside, loading paper pulp and particle

  board from the mills up in Woodland, making overtime

  for the stevedores and truckers.

  Finally, at September's end came the annual

  Eastport Salmon Festival, the last outdoor bash of the year

  on our little island in Maine, which meant that cash

  registers in the cafes and shops on Water Street would

  soon be jingling with tourist money.

  So we were content. Only the thought of Reuben

  with his quick, twitchy ways, his pale, wandering eye

  and odd laugh--a harsh, painful-sounding bark like a

  strangled cough; when he uttered it, he meant to hurt

  someone--kept putting a damper on people.

  "Could be this time Reuben's luck will run out,"

  said my main squeeze, Wade Sorenson.

  Just off the water after guiding a cargo vessel into

  port--it's what he does, as Eastport's official harbor

  pilot--Wade wore a navy turtleneck, jeans, and a

  cable-knit sweater the color of vanilla ice cream. His

  gray eyes reflected the light of the candle stuck in the

  neck of a wine jug on the table.

  "Not soon enough," my ex-husband, Victor

  Tiptree, said sourly, and I glanced at him in surprise.

  "Reuben Tate's luck," he emphasized, "can't end

  soon enough for me."

  "How do you know Reuben?" I asked, and the

  others around the table looked inquisitively at him,

  too.

  Six months earlier, Victor had moved here to

  Eastport from the Upper East Side of Manhattan, and in

  remote, thinly populated downeast Maine his arrival

  had of course been newsworthy. But I hadn't thought

  any of the local people were newsworthy to Victor, and

  especially not a ne'er-do-well like Reuben.

  Tonight, Victor's dinner had consisted of the olives

  from his martinis. "It's not important," he muttered,

  and gulped the melted ice from his glass.

  Annoyed but determined not to argue--the rule,

  when dealing with Victor, is never wrestle with a pig;

  you both get dirty and the pig likes it--I turned away,

  as a voice from the next table rose in worried complaint.

  "Did Reuben really say that?" Paddy Farrell, who

  ran a textile design studio out of an old canning

  factory building he'd rehabilitated down on the waterfront,

  had clearly been listening in on our conversation.

  Sitting with Paddy was his longtime companion, Terence

  Oscard.

  "Did he?" Paddy demanded, his close-clipped salt

  and-pepper head coming up pugnaciously as he caught

  my eye. "He's staying?"

  Paddy wore a navy blazer and a tailored button

  down shirt, a maroon silk scarf at his throat.

  "George?" he persisted as George stolidly went on

  chewing. "Did you actually hear him say that?"

  "What I said," George confirmed after a sip of

  Miller Lite. "Stayin' in his mom's old place out in

  Quoddy Village, got the little trust fund she left him to

  live on. It ain't much, but I guess that's nothing new to

  Reuben. He's never had any job at all, that I've known

  of."

  Terence Oscard, a big-boned, pale-haired man with

  a beaky nose and a big, pointy Adam's apple, wore a

  light blue chambray shirt, khaki slacks, and Topsiders.

  Good-looking in the way some very ugly men can be,

  his jutting features regularized by intelligence and kindness,

  he sat listening with his usual thoughtful attention.

  But Paddy seemed agitated. "Reuben can't do that.

  Why, the town won't be worth living in. It'll be the bad

  old days all over again."

  Terence leaned over to me. "I've got a new Red

  Cross first-aid book," he confided. "I'll be glad to lend

  it to you when I've finished it."

  He was a martyr to numerous imaginary ailments

  and, perhaps on account of these, a self-taught first-aid

  expert. I liked him a great deal; everyone did.

  "Thanks, Terence, I'll look forward to it," I said,

  and he sat back, pleased.

  "Doesn't anybody," Paddy demanded, "remember?"

  He glared at us, fists clenched as if he might

  punch someone just to refresh people's recollections.

  "Don't see as there's much we can do about Reuben

  sticking around if he wants to," George said, his

  tone unperturbed as he went on eating his steak and

  potatoes. "Still a free country."

  I noticed, though, that George didn't raise his eyes,

  a sign that he wasn't enjoying Paddy's conversation.

  Paddy was intense, quick to anger, and inclined to

  pound the table, while George was the opposite: the

  quieter he became, the more tactfully and carefully

  you'd better go, or eventually he would lower the

  boom on you.

  "Unless," George added to Paddy, "you've got

  some brilliant new idea."

  At this, the air around us seemed to grow darkly

  electric, charged with some knowledge I didn't share.

  Silence lengthened as the three Eastport natives at our

  table--Ellie, Wade, and George--went on eating their

  dinners, concentrating on their plates. Sam and I

  looked puzzledly at them, while Victor

continued

  drumming his fingers on the table, wanting the drinks

  waitress.

  "No," Paddy said at last. "No new ideas. Finished,

  Terence?" Shoving back his chair, he flung down his

  napkin furiously.

  Nodding agreeably, the big man got to his feet.

  Then he staggered, briefly but unmistakably, placing

  his hand on the table to steady himself. But he recovered

  smoothly, dropping some money by his plate and

  smiling his farewell to the rest of us.

  He hadn't been drinking. Terence never did; the

  faint muzzy feeling induced by even a single glass of

  wine always made him think he had some rare neurological

  condition. And as they left together, he seemed

  fine again: bending as always to hear whatever Paddy

  was saying, Paddy accompanying his words with his

  usual energetic gestures.

  Watching them go, I sensed an ongoing liveliness of

  interest undimmed by the comfort of habit; they were

  by all accounts a devoted couple. I thought they were

  lucky, and that Terence had somehow simply missed

  his footing.

  But Paddy's comments had dropped a pall over our

  table, with George, Ellie, and Wade looking suddenly

  even more dismal.

  "Come on," I said. "How bad can it be? I'm sure a

  few of the boys from the dock can take care of Reuben

  Tate, if he gets to be too much trouble."

  Ellie's lips pursed. "You only know him by reputation,"

  she began, and was about to say more.

  But just then a harsh bark of laughter was followed

  by the warning rasp of barstools being shoved back.

  Next came the voice of Ted Armstrong, La Sardina's

  formidable bartender and bouncer.

  "Okay, now, that's enough. We don't want to be

  breaking any expensive glassware, make the price of a

  beer go up another half-buck just to pay for it all."

  The scuffling quieted as the sound system began

  playing a cut of Bela Fleck's new jazz-bluegrass fusion

  CD, "Throwdown at the Hoedown." La Sardina's

  owners had eclectic tastes in music, and so as a result

  did the guys who tended to occupy their barstools.

  Or most of them did. "Throwdown" cut off in the

  middle of a banjo lick so breakneck, it had to be heard

  to be believed, and the music switched to something

  about how lonesome somebody was going to be tonight.

  "He's in there," Ellie said quietly. "One thing he

  hates is decent music. You wait, before the night's over,

  Teddy'll have to toss him out of the place, and then

  won't there be hell to pay?"

  "Is there anything," I asked, "that Reuben doesn't

  hate?"

  "Money and misery," George replied, forking up

  the last of his baked potato.

  With his dark hair, milky-pale skin, and a bluish

  black five-o'clock shadow darkening his small, neat

  jawline, George looks as if he stepped out of the hills of

  Appalachia about five minutes ago. His black gimme

  cap, with GUPTILL'S EXCAVATING embroidered in orange

  script on the front, sat on the table beside his plate.

  "The one he tries getting from you and the other

  he tries giving you, when he can. Which," George

  added, "is pretty often."

  "Well, what's the matter with him?" Sam asked.

  "Is he sick? I mean, you know, disturbed?"

  Sam's own disposition is so sunny that he has managed

  to stay on good terms with both his father and

  me, which as a feat is a little like being Switzerland

  during WWII, only for longer and with more bombs. In

  fact, it was mostly due to Sam's ongoing diplomatic

  efforts that his father was with us that evening.

  But as I watched Victor fidget, I thought he had

  some other motive for coming, too, like maybe he

  hadn't wanted to be alone for some reason.

  Not that I cared much. Victor and I weren't having

  a truce, exactly. More like a ceasefire.

  George looked at Sam. "Reuben Tate's not sick.

  He's broken. Like a dog you can't cure of being vicious.

  Stay away from him, Sam. He's got more ways

  to clean a guy's clock than you'll ever learn. And," he

  emphasized seriously, "you don't want to."

  Sam blinked. "Wow. Okay." For George to utter

  so many words in a row was unusual. In the tone he'd

  taken, it was stunning.

  "Someone," Victor piped up from behind his fresh

  martini--the drinks waitress had taken pity on him--

  "ought to get rid of Reuben Tate once and for all."

  As always, he resembled an ad out of Gentleman's

  Quarterly: blue striped silk tie, charcoal slacks, tasteful

  gold cufflinks. Even the hairs on the backs of his wrists

  looked groomed. Only the look on his face conveyed a

  sense of rumpled disnevelment, in part I supposed on

  account of those martinis. But I remember thinking

  again that something else was going on with him.

  Wade put down his glass of O'Doul's. "Think so,

  do you?" he commented mildly to Victor. "Someone

  should get rid of him? Just take him out?"

  "Yeah." Victor glowered. "As a matter of fact, I

  do."

  When Victor first moved here, I was concerned

  that he would become a serious fly in my ointment, in

  the romance department especially. Having your crazy

  ex-husband living down the street from you might just

  tend, as a for-instance, to discourage your boyfriend

  from parking his pickup truck overnight right out in

  your driveway where everybody can see it.

  Lately, though, Victor hadn't bothered me quite so

  much. It wasn't that he had gotten saner; maybe the

  opposite. His personal idiosyncrasies--his obsession

  over physical cleanliness, for example--seemed to have

  gotten stronger. But here in Eastport everyone's a skinful

  of quirks, so in a way Victor was just like the rest of

  us. Also, Wade parked his pickup where he pleased, as

  he always had.

  None of this, however, made Victor a congenial

  dining companion. Now his immaculate, close-clipped

  fingernails tapped the table again, impatiently, as if he

  couldn't just get up and leave on his own whenever he

  wanted to.

  "So, are you people finished or what?" he asked.

  "Stop it," I hissed at him, and for a wonder he

  subsided, though his gaze still strayed anxiously to the

  bar area and then to the door, as if calculating some

  daring exit strategy.

  But I still didn't put two and two together.

  Instead I turned back to Wade; the O'Doul's interested

  me. Ordinarily, he enjoys breweries so micro that

  they measure their ingredients out by the thimbleful.

  But in reply to my silent inquiry he just lifted his

  glass, and the suggestion his amused gray eyes conveyed

  to me then was so personal--and so fully detailed,

  right down to my keeping the dog not only off

  the bed but actually out of the whole bedroom--that I

 

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